Clover
In the foliage of my life, I was honey,
something extracted, poured into another,
so when you found me
there was no resemblance
to my former self. Adept at transformation,
A boy with a long stick whacks the air.
What demon does he strike?
In Camaraderie of the Marvelous, Dianna Henning immerses us in worlds of astonishing connections. These are poems where the marvelous occurs, when a “slivered wolf . . .” becomes a “heart’s centerpiece,” and where a summer river “spills salsa music.” In these poems, connections among people and animals and memories are all “reaching across . . .”…
Down from Bob Ovitt’s place, two sisters linger
at their clothesline to watch as the farmer’s two hundred
eighty-pound body is hoisted into a flatbed and then
driven in a scrawl of dust around the bend.
Henning has a very elegiac quality to her writing: death, crows, grief and longing. That probably could be said of most poetry, but in this case, there’s also a very subtle sense of self-ironizing awareness. For example, in “Jump-Off Joe Creek,” which examines the story behind the oddly named Oregon stream, Henning takes an inward turn: “but finally, / like Joe on the bridge, you must select / one life and hold it like flint underneath your tongue, / something made in the shape of an arrow.”
Local author Dianna Henning’s book “Cathedral of the Hand,” has received an extremely positive review by Bob Stanley. See article in the Lassen Times: https://www.lassennews.com/local-authors-book-receives-stunning–review/
The tea pourer’s left hand snores on her lap.
One finger strangely points to the floor
as though downward
were the only refuge for the roughly defined.
In the beginning there was promise.
We lived together in harmony,
When the black bearskin hung from the tree
like a rug drying on the clothesline,
the hunter recounted how he started an incision,
cut upward to the head,
stopped at the mouth’s corners.
A rooster crowed at the first
strike of light, awaking the stone
child who held her own